During the breakdown, he sings in a manner shifting between his regular voice and a falsetto. At its bridge, Joseph engages in call-and-response phrases. The track's instrumental also takes dub-inspired deviations. The song's chorus and his proclamations come layered between verses that bear highly rhymthic sensibilities. After singing an opening verse, Joseph delivers his lyrics in a hard, staccato style of fast-paced rapping. His vocal parts demonstrate a crisp delivery, one that abruptly goes from balladry to rapping to screaming. Joseph recites contemplative rhymes over electropop-oriented reggae beats. His drumming provides the upbeat track with rhythmic dexterity, playing in a punk-inspired fashion. Josh Dun's slow, one-two drum beat binds together the track alongside a dark, brooding bassline. The chilled-out number instrumentally exudes an upbeat reggae vibe, being drenched deeply in Caribbean-tinged riffs and shimmery synths. The musical composition has a mix of infectious parts built on a rich reggae influence infused with rock sounds. The song has a basic sequence of G–Am–Em–C/D during the introduction, changes to G–Am–Em–C–G–Am–Em–D sus2 in the sung verse, has G–Am–Em–C during the pre-chorus, follows G–Am–Em–C ♭–G–Am–Em–D sus2 at the refrain, changes to G ♭–A ♭m–E ♭m–C ♭–G ♭–A ♭m– E ♭m–C ♭/D ♭ in the rap verse and follows G ♭–A ♭m–D ♭–E ♭m–Am 7(add4)–E ♭m–D ♭–D ♭/F ♯ during the bridge as its chord progression. "Ride" is composed in the key of G-flat major, while Tyler Joseph's vocal range ranges from a low of D ♭ 3 to a high of B ♭ 4. According to the sheet music published at by Alfred Music, it written in the time signature of common time, with a fast tempo of 150 beats per minute. The track combines elements of rock, hip hop, reggae, punk, electro and pop. Deliciously stripped down and vibrant, '68 excels in intimate environments, to be sure, but is no less unignorable on giant festival stages or the road with Bring Me The Horizon, Stone Sour, Beartooth, Avatar, August Burns Red, The Amity Affliction, and Underoath, where they've earned new converts every day."Ride" is an uptempo alternative rap song that lasts for a duration of three minutes and thirty-four seconds. The passion, the hunger, the good humor, it all connects with diverse crowds. The '68 roadshow has taken them from Moscow to Tel Aviv, across Europe and Australia and all over North America, often splitting up 20-hour drives between the two guys. Creative, disruptive, frantic, even when dipping into a bit of Otis Redding or James Brown-style funk, '68 sound urgent. There's no "plan" with '68 so much as a ride, with the duo hanging on for dear life in the eye of the storm every bit as much as the audience. Like a Delta Blues reimagining of Bleach-era Nirvana or the disgraced punkish cousin of The Black Keys, '68 adheres to a single ethic: unbridled authenticity. And there's a muscle car-sized rumble beneath the hood of what the Atlanta, Georgia native and his percussive partner-in-crime, Nikko Yamada, unleash with an array of guitar, bass, drums, keys, and pedals, careening between swinging barnburners, wild haymakers, and moody atmosphere. Josh Scogin kickstarted his small band with the big sound in 2013, naming the two-person outfit he modestly undersells as "a little rock, a little blues, a little hardcore" after his father's old Camaro. It's a primitive impulse delivered with postmodern purpose a blacksmith's resolve with an arsenal of electric distortion and raw nerve. These are songs that could almost fall apart at any moment, yet never do, devilishly dancing between life and death. How much noise can two people make? '68 is the sound of simultaneous implosion and explosion, destruction and creation, unbound. Not an album but cooler than your typical stop-gap project, Love Is Ain’t Dead will sate fans and electrify new listeners." Read the full interview here. Raskulinecz was available, and the band busted them all out in a week. Josh recently spoke with Alternative Press where AP states, "Scogin had written three new songs and was aching to get them recorded. Produced by Grammy-winning producer Nick Raskulinecz, this EP is the first crop of new songs we've heard from '68 since the release of Two Parts Viper in 2017. The EP is titled Love Is Ain't Dead., and the music video for "Bad Bad Lambo" is available to watch now.
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